1970s

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In the 1970s, the family home was filled mainly with the works of three contemporary artists with whom Testori had a friendly relationship and who owed much of their fortune to his critical essays: Jose Jardiel, Willy Varlin and Paolo Vallorz. Every wall was divided among these three painters, whose dozens of paintings Testori owned. 

However, there was no lack of works by masters of the twentieth century, some of whom were practically unknown in Italy at the time, such as Richard Gerstl, the exponents of the New Objectivity, Francis Gruber and Francis Bacon.

Posted on: 30 August 2021, by : Alessandro Ulleri
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